Byron Copland | "Ageing Still Life" (detail) oil on canvas, 2022      
Reisha Perlmutter | "Absorb", oil on canvas, 2016      
David Baird | "Satyre et bacchante, after James Pradier" | 2013 Autumn at the Louvre   
Aleah Chapin | "Aunties Project"     First Prize - BP Portrait Award 2012, National Gallery, London    
Jason Rafferty | "Analysis of the Felicity of the Regency, after Rubens" | 2012 Winter at the Louvre   
Krista Schoening | Parnassus Award | MFA 2014   University of Washington
Joshua Press | "Camden Town"    
Helena Vallee-Dallaire | "Ma Soeur" | 2013 Greenshields Foundation Grant   
Laura Nothern | "Hercules and Omphale (after Rubens)" | 2013 Winter at the Louvre
Toby Skinner | "MG3" | "Autoportrait 2014" | 2007-2008 Summer & Autumn Intensives
Marina Dieul | Before and After: 2008 and 2010 Autumn Intensives   
Will St. John | The 2011 Alma Shapiro Prize | 2006 Autumn Intensive   
Jethaniel Peterka | The Nautilus Studio | 2006 Summer Intensive, 2006 Autumn Intensive   
Ernesto Ortiz-Leyva | "50 Flag Raisings" | 2005 Summer Intensive, 2005 Autumn Intensive   
Ernesto Ortiz-Leyva | MFA, 2014 - New Artist Society Scholarship   School of the Art Institute of Chicago   

Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 21, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 18, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 14, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 12, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 11, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 9, 2009

by N. Michelle Tully
oil on wood, 12″ x 12″

“An undulating form, one that resembles a flame, animates the contours and lends them nobility, elegance and truth. This is what is called the sense of contour, and to attain it Correggio cannot be too much imitated…”

– Antoine Coypel, Discourse on the Aesthetics of the Painter (1720)

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Magda Tondo (in progress) – NFS

By Tim Stotz | Published October 8, 2009

by N. Michelle Tully
oil on wood, tondo 12″ x 12″

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Drawing for Tondo

By Tim Stotz | Published October 7, 2009

by N. Michelle Tully
blue pencil on light blue paper
24″ x 18″ 2009

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Study for Tondo

By Tim Stotz | Published October 6, 2009

by N. Michelle Tully
oil on linen, 5″ x 5″

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Magda Furiosa – NFS

By Tim Stotz | Published October 5, 2009

by Timothy Stotz
charcol, chalk and Roché pastel
on blue paper 25″ x 19″

“For the greatest grace and charm that a figure may have is to seem to move, which painters call the ‘fury’ of the figure. And there is no form more fit to express this motion than that of the flame of fire.”

G.P. Lomazzo &nbsp Trattato dell’arte della pittura (1584)

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